In his teens, Paul was first introduced to the art world through the medium of oil paints. After his first pottery course, he became seduced by clay and the ceramic process. With freshness, integrity, and humour, Paul has managed to retain his passion, commitment, and focus in what is generally thought of as an ancient Art form.
Paul Rozman received his Bachelor of Fine Arts degree from the Nova Scotia College of Art and Design, and his Master of Fine Arts degree from the New York State College of Ceramics at Alfred University, Alfred, New York. He has exhibited and taught Ceramic Art extensively throughout Canada and the United States. His work has been featured in Ceramic publications such as The New Majolica, The Ceramic Design Book-Contemporary Studio Ceramics, Best of Pottery I, Best of Pottery II, Tin Glazed Earthenware, Ceramics: Mastering the Craft, and Ceramics Spectrum. His work has been featured numerous times in national and international Ceramics Magazines such as Studio Potter, Ceramics Monthly, Contact Magazine, and Ontario Potter.

My aim is to make living a work of art by transforming the ordinary into extraordinary. When pottery is used in our daily actions of eating and drinking, there is an opportunity for meaningful aesthetic experiences. One way to achieve this is when pots delight us, humour us, and exalt us. Ideas of utility expressed through these qualities are essential because they invite an emotional connection. This way indifference is challenged and the user is gracefully transformed by ordinary actions. The mark of great Art, after all, has the overwhelming capacity to transform us, not merely inform us. When pottery is expressed in this manner it has purpose for us and meaning for others.