Cream Sugar Sets

No table setting is complete without a cream and sugar set!
These sets come in four delicious colors to satisfy most, including your mother-in-law, and how sweet is that?
Very sweet!

Jars

We offer cookie jars and honey jars suitable for kitchen display and storage. Your kitchen counter tops will be very grateful to you for such a warm and charming display. Handmade pottery makes even the most hopeless contemporary modern kitchen look warm and cozy. Here's your chance to prove how sweet life can be.

Mugs

The latest research shows that regular exercise and lifting weights is beneficial to our overall health, however coffee mugs were not part of this study. How heavy or how thick pottery mugs should be is a question of skill and aesthetic preference. Equally important when choosing mugs is even weight distribution from top to bottom. Pictures don't tell you, but I will: these mugs are light and nicely balanced (not bottom heavy) with comfortable handles you can get your hand into. Noteworthy is how much better the coffee tastes served in these mugs.

Black

We call this one black but it is more of a carbonatious charcoal color.  The surface of this glaze is a smooth mat sugary type which makes it great to touch and easy to maintain.  Aesthetically, black is elegant and formal, suitable for any interior designs and color schemes.

Gold

Here is a glaze with a thousand soft shades of yellow to buttery yellow. The surface is a smooth waxy mat which makes it great to touch and easy to maintain.  It looks great on its own or in combination with our  black glaze. Since this is a very popular color we use it as a standard studio glaze and we keep an open stock which means that you can add more pottery sooner or later.

Sky Blue

The surface of this glaze is a smooth waxy mat which makes it great to touch but the color is not for the faint of heart. On a cloudy day you'll be looking for this shade of blue. This color is more or less a turquoise blue. Our clay is a white stoneware, smooth like porcelain, and in combination with this medium blue glaze, the color breaks in lighter shades when thin, especially around edges.

Avocado green

This waxy mat glaze is similar in touch and feel as above. Any and slight variation on the thickness of this glaze shows a variation in color from a kiwi green to cantaloupe green and everything in between. This color invokes a fresh feeling and based on our experience it makes all food groups look appetizing.

In his teens, Paul was first introduced to the art world through the medium of oil paints. After his first pottery course, he became seduced by clay and the ceramic process. With freshness, integrity, and humour, Paul has managed to retain his passion, commitment, and focus in what is generally thought of as an ancient Art form.
Paul Rozman received his Bachelor of Fine Arts degree from the Nova Scotia College of Art and Design, and his Master of Fine Arts degree from the New York State College of Ceramics at Alfred University, Alfred, New York. He has exhibited and taught Ceramic Art extensively throughout Canada and the United States. His work has been featured in Ceramic publications such as The New Majolica, The Ceramic Design Book-Contemporary Studio Ceramics, Best of Pottery I, Best of Pottery II, Tin Glazed Earthenware, Ceramics: Mastering the Craft, and Ceramics Spectrum. His work has been featured numerous times in national and international Ceramics Magazines such as Studio Potter, Ceramics Monthly, Contact Magazine, and Ontario Potter.

My aim is to make living a work of art by transforming the ordinary into extraordinary. When pottery is used in our daily actions of eating and drinking, there is an opportunity for meaningful aesthetic experiences. One way to achieve this is when pots delight us, humour us, and exalt us. Ideas of utility expressed through these qualities are essential because they invite an emotional connection. This way indifference is challenged and the user is gracefully transformed by ordinary actions. The mark of great Art, after all, has the overwhelming capacity to transform us, not merely inform us. When pottery is expressed in this manner it has purpose for us and meaning for others.